Diploma in Sound Engineering

Sound Engineering & It’s Basics​

• Studio Etiquette
• Basic Sound Theory
• Music Theory
• Studio Design Theory
• Introduction to DAW’s – ProTools, Cubase, Nuendo
• Advance Sound Theory 1
• Introduction to Analog Workflow
• Analog Mixers
• Analog Preamps
• Advance Sound Theory 2 (Electronics)
• Digital Audio

Music Engineering

• Basics of Recording

• • Setting up a microphone

• • Characteristics of a microphone 

• • Studio recording workflow

• Recording Techniques

• • Miking techniques

• • Specific techniques for different instruments (Drums & percussions, Bass, Guitars, AMP’s, Indian percussions etc)

• 2 Tracks Editing
• Multitracks Editing
• Artist Management & Interaction techniques

• Ear Training

• Advance DAW workflow

• Introduction to Mixing

• Analog Mixing and mastering (ADV)

• Advance Mixing Techniques

• Music Business, Publishing, Licensing, Marketing and PR

• Mixing Music for film and TV
• Mixing for TV & Broadcast

Post Production

• Introduction to Post production

• Introduction to different departments involved in a full scale Film Production.

• Stages of Film Sound in Post Production

• Introduction to Foley (Recording Techniques and Editing)

• Introduction to SFX ( Methods and Techniques of Track laying )

• Introduction to ADR (Recording Techniques and Editing)

• Learning to work with multi-channel audio formats such as 5.1, 7.1, 7.1.4, 9.1.4 for film or immersive music experiences.

• Dolby Workshops by leading Industry professionals

• • Film Mix Workshops

• • Music Mix workshops

• • Film Session Breakdowns

• Introduction to Re Recording Engineer & his Job

• Psychoacoustics: Studying the perception of sound and how it can be used to create more immersive and engaging audio experiences.

• Mixing techniques:

• • Mixing Film BGM

• • Mixing for theatre and OTT

• Deliverables

• Seminars by Industry Legends

Live Sound Engineering

• Introduction to Live Sound Reinforcement

• Evolution of Live Sound

• How Does Live Sound Differ from Studio

• Elements of live sound

• • Loudspeakers 

• •  Consoles

• •  Wireless units 

• •  Networking

• •  Rigging

• •  Electricals

• Understanding Venue Acoustics

• Miking Techniques for Live

• Tackling Feedback 

• PA Simulations

• Rigging Software

• System Tuning (SMAART & Systune)

• Modern Day Line Array Ethos

• SPL Impacting the Mix

• Point Source vs Line Array

• Digital Mixing Console

• • DIGICO

• • Avid

• • Allen & Heath

• • Yamaha

• RF Workshop

• Setting up Wireless Units(IEM’s + Belt pack/handheld/Lapels)

•  Networking Systems and Setups

• Using Eq’s, Dynamic and FX Processor for Live Sound

• Workflow of FOH Engineers

• Workflow of MON Engineers

• Wedges vs IEM’s

• Understanding the Business Side of the Live Sound

• Dealing with Clients

• Communication is Key

• Ethical Business Practices
• Safety Standards & Protocols in Live Sound